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・ Enrique David Díaz
・ Enrique David Mateo
・ Enrique Dawi
・ Enrico Schiavetti
・ Enrico Schirinzi
・ Enrico Schnabel
・ Enrico Scuri
・ Enrico Sertoli
・ Enrico Sgrulletti
・ Enrico Sibilia
・ Enrico Silvestri
・ Enrico Simonetti
・ Enrico Stefani
・ Enrico Tamberlik
・ Enrico Tameleo
Enrico Tarenghi
・ Enrico Tazzoli
・ Enrico Tazzoli (priest)
・ Enrico Tellini
・ Enrico Toccacelo
・ Enrico Torre
・ Enrico Toselli
・ Enrico Toti
・ Enrico Vaime
・ Enrico Valentini
・ Enrico Valtorta
・ Enrico Verachi
・ Enrico Verson
・ Enrico Viarisio
・ Enrico Villanueva


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Enrico Tarenghi : ウィキペディア英語版
Enrico Tarenghi
Enrico Tarenghi (April 14, 1848 – 1938) was an Italian painter, mainly of genre and orientalist paintings.
==Biography==
He was born and resident in Rome. He studied in the Academy of St Luke in Rome. Tarenghi's paintings: ''The Return from Work'' and ''Prayer by Muslims'' were exhibited the first in Turin, in 1880, the latter in Milan, the next year. In Rome, in 1883, he had two canvases: ''Abbey of San Gregorio in Venice and Fulvia''. In 1884 in Turin, he displayed an oil: ''Gelosia'', and a watercolor: ''The Mother''. In Livorno 1886, he exhibited ''Meditazione''. Among his other works are: ''The convalescent woman''; ''Oh, potess' io'' (from Faust, Act one, first scene); and the '' Temple of Antonio and Faustina'', exhibited at Venice, in 1887.
〔( ‘‘Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.’’ ), by Angelo de Gubernatis. . Tipe dei Successori Le Monnier, 1889, page .〕
The Daniel Dahesh Art Museum in New York City has a painting by this painter in its permanent collection("Caravan Passing A Pyramid").

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